Mumbai, September 15 (CINEWS): At the point when vocalist Neha Rajpal chose to wander into film creation, she was sharp about being included in all parts of filmmaking. “I would not like to take a prepared item and present it. Along these lines, when the tale of Photocopy stopped by, I quickly lapped it up. With the screenplay, chief and rest of the cast and group set up, I knew we could make an extraordinary showing,” she says.
Coordinated by Vijay Maurya, the film speaks the truth indistinguishable twins who battled for space in the womb and are presently battling for the same man. Parna Pethe and Chetan Chitnis, who was chosen after a gigantic ability chase, play the lead in the film, which additionally stars veteran performing artist Vandana Gupte in an urgent part. The film is advertised by Arjun Singh Baran and Kartik Nishandar. While Omkar Datt and Akash Rajpal have penned the story, Vijay and Yogesh Joshi, both National Award champs, have composed the screenplay dialog. With KK Manoj, Ninad Khanolkar and Rohan Mapuskar taking care of the cinematography, altering and throwing separately, Neha feels the last item will be adored by all.
Anyway, would she say she was a hands-on maker? “I sat with the group amid pre-generation to bolt the whole calendar. Thus, I’d simply visit the sets once in a while,” she says.
Brands Lavasa and Fashion at Big Bazaar have collaborated with this romantic comedy for areas, attire, embellishments and media spends. Neha includes, “Our own is the first Marathi film to be shot in Lavasa. I had gone to the spot when it was being arranged and have a delicate corner for the arranged city. Additionally, I’ve seen that a greater part of Marathi individuals spend the weekends there. In this way, I was certain the gathering of people will interface with the area.”
One of the film’s highlights, Neha says, will be its music. “At the point when my companions in the business heard that I’m delivering Photocopy, they were sufficiently sweet to send me tunes. I heard right around 1800 prepared tunes; out of the six numbers, just two have been tail composed for the film. Be that as it may, the strength is that you can’t say the others were looked over an alternate parcel on the grounds that they fit the script so well. Six authors — Nilesh Moharir, AV Prafullachandra, Rohan-Rohan, Shreyas Puranik, Praful Karlekar and I — worked like a fantasy group for this film,” she closes off.